Cranach supports designers

Farne’s genesis came from immersion in the slow dialogue of water shaping stone. Studying everything from wave‑cut cliffs and wind‑softened rock to rippled water lines led to the main inspiration behind the softened edges and planar handle—a design language of strong geometry born of nature.

Angelsey’s genesis came from immersion in calibrated proportions and axial alignment. Studying everything from lathe‑turned cylinders and measured tolerances to precision hardware led to the main inspiration behind the knurled crown and slender lever—a clean, balanced, adaptable profile.

Rugen’s genesis came from immersion in structural archetypes—arc, line, and intersection. Studying everything from arched thresholds and linear spans to cross‑shaped backplates led to the main inspiration behind the arched spout and fluted handles—a measured vocabulary for modern ritual.

Tinian’s genesis came from immersion in natural motion meeting geometric resistance. Studying everything from ripples across still water and a drop carving its own geometry to wind shaping stone led to the main inspiration behind the cylinder and plane—mass and line held in tension, control born from softness.

Gough’s genesis came from immersion in linear architectural order, where form is intentional and alignment sets the logic. Studying everything from grid‑based architecture and cantilevered planes to disciplined joinery led to the main inspiration behind the vertical fluting, designed to mirror and align across axes.

Rhum’s genesis came from immersion in pure form and composed flow. Studying everything from a single drop to a continuous sheet led to the main inspiration behind the round controls and the collection’s circular clarity for modern ritual.